EDITORIALS

Opinion

How Ghananian singer, Essilfie, won two grants in a short span of time – A story of pleasant surprises

Maame Esi Essilfie, a Ghanaian singer/songwriter whose music journey so far has been one of…

How Futura Recordings Focuses on Breaking Out New Artists and Enhancing the Careers Of Established Artists

Futura Recordings is an innovative record label which focuses primarily on the next generation of…

Catch up with the only human Jellyfish you know, Sir Bastien!

Sir Bastien’s art involves strong usage of electric guitars and soothing synths with edgy yet…

Nyokabi Kariũki is boldly experimenting with the sounds of Home

By John Eni-ibukun Nyokabi Kariũki doesn’t think of music within its traditional spectrum. Rather, she…

There is an “Afro-Diasporian” Bridge to Build – Kelechief is Standing Between

Kelechief is a Nigerian-American Rapper, Singer, and Record Producer who loves to describe himself as…

Sonic Revolution: Afrogospel Is Ready For The Mainstream Space — Limoblaze

by Itty Okim For so many years, gospel music in Nigeria has been stereotyped. With…

Garey Godson and Ebube Onoh Partner to Link Music with Visual Arts

By Eni-Ibukun J.T Visual arts and Music, two forms of creative art have always existed…

Mau from Nowhere: Beautifying the Art of Vulnerability

Mau from Nowhere

Olayinka Ehi: When preparation meets opportunity

Olayinka Ehi talks about her feature on Adekunle Gold’s AfroPop vol.1 album

Waves, palms, blue skies, SirBastien

SirBastien’s sophomore project, Mango Island is more of a place than a sound. A collection…